Walid Raad, conceptual art

Walid Raad and the Tuesday portrait of his practice

Published on 07/14/2026 at 22:13 | Editorial responsibility: Rafael Müller, Editor-in-Chief AD HOC NEWS

Walid Raad's work moves between fiction, archive, and political memory, with The Atlas Group still central to how his practice is read today.

Walid Raad, conceptual art, Portrait & Position, Illustration mit AI erstellt.
Walid Raad, conceptual art, Portrait & Position, Illustration mit AI erstellt.

Walid Raad works across performance, image, text, and installation. His art is best known for the long-running project The Atlas Group, where archival form and historical fiction are tightly intertwined.

Why The Atlas Group still matters

The Atlas Group remains the clearest entry point into Raad's practice. The project uses fabricated and real archival materials to question how histories of war and memory are assembled.

That method gave Raad a distinct position in contemporary art. It also made his work legible to museums, biennials, and academic debates far beyond Lebanon.

Tuesday's lens on the artist

On a Tuesday, Raad reads especially well through the lens of portrait and position. His practice does not separate art from narration, document, and political inference.

That combination has shaped how critics discuss him. It also explains why his work is often grouped with artists who treat archives as unstable evidence rather than neutral record.

Read more

More news and background on Walid Raad

Explore recent coverage, background pieces, and related reporting on the artist's exhibitions and installations.

How the practice is built

Raad is primarily associated with conceptual work, installation, and performance. Across those formats, he returns to questions of testimony, citation, and the authority of images.

That focus gives the oeuvre a strong art-historical profile. It links him to broader debates on archives, postwar narrative, and the politics of representation.

Where Walid Raad stands now

Walid Raad currently has no announced date in the 30-day window.

Walid Raad at a glance

  • Artist: Walid Raad
  • Medium / Genre: Conceptual art, performance, installation
  • Born: 1967, Chbanieh, Lebanon
  • Place(s) of practice: New York
  • Active since: 1989
  • Key work groups: The Atlas Group, Scratching on Things I Could Disavow, Festival of Gratitude
  • Current/last exhibition: Scratching on Things I Could Disavow
  • Major collections: MoMA (New York), Tate (London), Guggenheim (New York)
  • Awards: Guggenheim Fellowship, 2009
  • Next date: currently no announced date in the 30-day window

Frequently asked questions about Walid Raad

What is Walid Raad best known for?
He is best known for The Atlas Group, a long-term project that blends fiction, archive, and political memory.

Which collections hold work by Walid Raad?
Public collections include MoMA in New York, Tate in London, and the Guggenheim in New York.

What defines Walid Raad's artistic position?
His work treats documents as unstable evidence and uses narrative form to challenge fixed historical accounts.

More from Walid Raad on the platforms

This article was produced with a.i. support and editorially reviewed. All statements without guarantee; auction results, exhibition dates and awards may change at short notice.

Disclaimer regarding our articles: No investment advice, no buy or sell recommendation. Information on prices, companies, and markets is provided without guarantee; changes are possible at any time. Stock market transactions can lead to substantial losses. Our articles are created and reviewed in whole or in part automatically with the support of AI.

en | unterhaltung | 69769002 |